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Behind The Scenes At A McDonald’s Photo Shoot

Dan Eitreim
10,359,630

March 12, 2015

Taking photographs of various food dishes is not as easy a task as it appears in the books of cooking and food advertisements. A photographer should be aware of the environment in which he/she is taking such pictures. The key considerations for food shots include the angle of the dish, the dish composition, and that the room in which picture is being taken has a good amount of light.

Lights

A prime consideration for a photographer should be the lights in the kitchen or other rooms where pictures will be snapped of various food types. Preparation her will save time and frustration later when you are actively engaged in picture taking. Venues which are dark can be adjusted by using fluorescent lighting lamps which have diffusers. One significant drawback of the procedure is that the picture may wind up with a green shade in it after it is developed. Whether or not this happens usually depends on the camera, as some cameras effectively neutralize the effects of fluorescence.

Tripod Stability

Close range is required when you are taking pictures of food, and every shot must be done very carefully. Shots taken from a close range are quiet sensitive to movement, in contrast to more distant pictures. So the result can be marred up by any sudden – or even slight – movement. Consequently, a tripod serves as a valuable tool when absolute stillness is required. If you do not have a tripod, try to find a stable object (table, chair back, etc.) on which to steady your hands during the actually taking of the picture.

Presentation of Food

If you want professionalism in your pictures, the dishes ought to be geometrically shaped. The arrangement of those dishes should be done in such a way that the ingredients and strength of each dish are shown through the picture. And the food should be garnished so that the natural colors are enhanced, making it more eye appealing.

Subject Focusing

A photo that is dull can be made attractive and dynamic if the depth of field in the camera is adjusted properly. A camera which doesn’t have a manually operated focus is designed to have the button depressed half way to lock its focus at a particular depth. On the other hand, cameras that automatically focus lack aperture and field depth. Many people prefer a little blur in the background of a picture, and for this purpose they adjust the aperture accordingly. Other photographers like to take the whole scene and capture it without any background blur at all.

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Article Source: EzineArticles.com

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